Specs and info on the LAB series amps

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A community devoted to the exchange of guitar related information and entertainment. Please remember we are a civil community. Failing to abide by this will result in a ban. Failing to follow this guideline will result in a thread removal. Include a very descriptive and concise title along with one of the following including the brackets in your post:

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The Best Guitar Amps for the Bucks

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Choosing a Guitar Amplifier What do you look for when choosing a guitar amplifier? Many times in interviews guitar and music related , these artists are asked about the gear they’re using. Sometimes you’ll get some valuable insight into how they create their tone. You might also get ideas from them on choosing a guitar amplifier and other gear. The more you surf the internet and read magazines, the more you’ll begin to know which gear is popular and why. You’ll recognize the big guys like Fender, Marshall, Vox and so on.

You’re also going to see advertisements and articles with musicians who have endorsement deals with manufacturers to promote the gear Notice that in the background of most promotional materials, there’s Slash standing there with his Marshall stacks. Steve Vai has the Legacy amp line manufactured by Carvin.

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He got a spectacular tone out of it. A friend that owned a local music store in the eighties told the tale of how he was called by Ty back then. Ty always called around to the local stores while touring looking for Lab amps to buy up as spares.

Ronsound – Yesterdays Technology Today L5, L7, L9, L11 schematic [LabL5] – Schematics and service info 9 pgs.

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Lab Series L5 Issues

A community devoted to the exchange of guitar related information and entertainment. Please remember we are a civil community. Failing to abide by this will result in a ban. Failing to follow this guideline will result in a thread removal. Include a very descriptive and concise title along with one of the following including the brackets in your post:

Thank you for the schematics SG! When I was a Kid, the town’s music store (Dragon’s Music) carried Gibsons and the “Norlin” Lab amps the lady who ran the place tried REAL hard to get me to buy an L5 at the time I just HAD to have watt tube amp, though.

A Bill Haley Stereo LP was released in April , it’s sales must have been almost zero, but copies are around as likely sold off as clearance. By the amount of these styles in Stereo by clearly very few sold, even in Beatles ‘Sgt Pepper’ huge seller is more common in Mono. The idea these Stereo Amps mainly were just quick cash-ins is noted in the books of the time, as with any the next generation will have been superior in quality like the Mono ones were considered.

This clearly is one of the prime Valve amps, though there are 25w w on this page that will outdo this one. We’re not likely to try one so to have a look now we have somewhere to type it is worthy. Underneath neatly wired if a “is that all there is” to the design compared to others. Quad IIs get this a lot. The Preamp Control unit this early is Mono only so pretty useless as Stereo is what people are used to after 55 years.

The Serial numbers are in the s on both, clearly Lowther aren’t selling many by Mk IV or starting from zero each model. There are still new Monoblock amps as this was still the preferred way with the Control Unit-Preamp. Quad with the same items as before on the cover as that’s all they made for years, in a garish orange design cover.

Only amplifiers noted now unless the ‘No Stereo’ ones above add any to give a balance.

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Originally Posted by vintagelove To be specific i am talking about the 15 inch speaker only model. You can’t tell me it does not sound quite a bit thicker than a strat through a fender amp. Yeah, that’s the model I have, with the 15″ speaker. If you set the tone controls on both amps to whatever turns out to be their most neutral position which, as any Fender afficianado will tell you, is not all knobs at 5 , all that sparkle and twang we associate with Strats through clean Fender amps is far less overt Sure, engage the Polytone’s Dark switch and turn the bass control to 1 o’clock

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Well, this Top 10 list may just have the answer! Eric Clapton Live… with his trustworthy Strat! But at least this one does not involve Paris Hilton. I now that some of my listings may be a bit controversial one in particular as I said before these are my opinions based on my experiences. Like all things in music they are not right or wrong, just some good-natured opinions that will hopefully stimulate your own thoughts on this subject.

The guitar that defined rock and roll music. This guitar is as crucial a design and tool as can be expressed. Nothing sounds like a Strat, the bridge pickup sounds similar but not the same as a Tele bridge pickup. The same can be said for the neck pickup, and the middle pickup is so unique I cannot think of another guitar sound that can be mistaken for it.

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– Lab Series L5 2×12″ combo amp. Notes: King has been using this amp for a long time. The amp was made by Norlin Industries for Gibson in the 70’s and 80’s. Other popular L5 users are Allan Holdsworth and Ty Tabor of King’s X. The L5 has an onboard compressor, parametric EQ, and four inputs.

A couple of problems. Someone replaced the speakers and it has 2 Eminence 12″ wired as 4 ohm. The back panel says 8 ohm minimum. I assume it would be better to wire them in series for 16 ohms according to that warning, right? Would someone else who owns this amp be willing to help me. Mine has been fitted with one of the smaller shorter — 9″ pans.

However, in looking at the amp, there are two screws on the bottom panel of the cabinet. I am presuming that they are to screw down a vinyl pouch that holds the reverb tank like on a Fender twin reverb or super reverb. I am assuming this amp may have had a longer reverb pan 16″. Can anyone confirm to me that this amp would have had such a vinyl pouch holding the reverb pan, and if so, would someone care to read me the code of their pan.

Accutronics pans have a code on them that tells the input impedance, out put impedance and type.

Lab series-ty tabor

Ibanez begins developing guitars for Allan, eventually resulting in an Allan Holdsworth “signature model” the AH10 1-pickup and 2-pickup AH This model has a basswood slightly chambered body with an ebony neck and jumbo frets. He pairs it with Oberheim Matrix 12 synth modules, mostly. Allan begins using a breath controller to modulate the SynthAxe output.

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The ES was introduced in Gibson hired Ted McCarty in , who became President in He led an expansion of the guitar line with new guitars such as the “Les Paul” guitar introduced in and designed by Les Paul , a popular musician in the s and also a pioneer in music technology. Later, a shorter neck was added. Similar in size to the hollow-body Thinlines, the ES family had a solid center, giving the string tone a longer sustain.

In the s, Gibson also produced the Tune-o-matic bridge system and its version of the humbucking pickup, the PAF “Patent Applied For” , first released in and still sought after for its sound. These “modernistic” guitars did not sell initially. It was only in the late s and early 70s when the two guitars were reintroduced to the market that they sold well.

The Firebird , in the early 60s, was a reprise of the modernistic idea, though less extreme. Modernization[ edit ] In the late 50s, McCarty knew that Gibson was seen as a traditional company and began an effort to create more modern guitars. In the body design of the Les Paul was changed due to the demand for a double-cutaway body design. The Les Paul returned to the Gibson catalog in This began an era characterized by corporate mismanagement and decreasing product quality.

The Kalamazoo plant kept going for a few years as a custom-instrument shop, but was closed in ; several Gibson employees led by plant manager Jim Duerloo established Heritage Guitars in the old factory, building versions of classic Gibson designs.

LAB Series L5 Amplifier