Pottery & Porcelain (S) – Encyclopedia Of Antiques

Are they somthing else? Thanks Discount Fiestaware – 26th Nov, 09 There is old and new Fiesta that have no stamp at all, such as the gusto bowls. It can be tough to date Fiesta with no markings — it all ces down to identifying the color and determining if that particular piece was produced by HLC. Tell us more about your Fiesta Karlie – 27th Nov, 09 That was very informative, and know i am looking in my cupboards to see how old my new fiesta is Jane Schenck – 2nd Jan, 10 The newer ones have the ink stamp. But one piece, a covered butter dish only has a rather crude Fiesta molded into the bottom, the E in fiesta looks like uppercase, but only the E, and in another area at the side of the bottom of the dish is a small white C. It is in a rose color.

Flow Blue: History and Value of Blue-and-White Antique China

Impressed, moulded or incised marks on stoneware and terracotta products, c. Impressed or printed marks on plain brown- and cream-glazed stoneware c. Also found impressed on some of the earliest Doulton Ware with simple incised decoration After the word ‘England’ was added.

Mason’s Vista Ironstone China was made by the English pottery of Charles J. Mason after Mason was given a patent for this improved earthenware, it is usually called Mason’s Patent Ironstone China.

The development of the process was likely initiated as glass blowers experimented with molds as a way of producing special surface effects on their vessels. For instance, with pattern molding, the parison was initially shaped inside a mold that had been sculpted with diamonds, facets, circles, etc..

The mold would impart these designs to the body of the vessel. Typically the process was completed by removing the parison from the mold and blowing and spinning it in an off-hand fashion until the desired shape and size were achieved. The second step in the transition to molding involved the use of what are known as dip molds. In this circumstance, the size and shape of the parison was complete when it was removed from the mold. In the case of round bottles, the mold was simply a cylinder, open at one end, within which the glass blower blew his bubble.

This application of the mold allowed for a new style of patterning – embossed product names and logos. The third step in the transition to fully automated molding was the use of molds consisting of multiple parts. This type of mold always left ridges or seams of glass where the sections of the mold joined together.

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The Japanese have one of the longest continuous ceramic cultures in the world, with the earliest ceramics dating to around 10 BC. Tea ceremony from the 15th century The popularity of the tea ceremony from the 15th century fostered an aesthetic appreciation of ceramics, especially imported Chinese wares, which became valued as works of art. The strong demand for ceramics resulted in a surge of creativity during the Momoyama period , with thousands of kilns developing their own distinct regional characteristics.

High-fired stoneware were central to this tradition. Ri Sampei, the “father” of Japanese porcelain After the Japanese invasions of Korea in and , a number of skilled Korean potters who had learned from the Chinese how to produce fine porcelain, were brought back to Japan. Some of these settled in Arita in northern Kyushu, where they discovered porcelain clay.

J & G Meakin China and Pottery pattern library. Notice: From Nov the site is undergoing a re-vamp. If you need to ask something please join the FB group.

Both sides show heavy patterns with no fade or rubbing. The jug is a good size,not tall but capacious. A “good looker” on display. Beautiful original untouched condition. We have quite a few of these in very good condition. The set is very crisp and clean. The colours are gorgeous. This is a lovely Colandine patterned cup and saucer and unusually with such a lovely myriad of colours. They are about 5 – 6 inches,and very clean.

Mason’s Ironstone China Soup Tureen, Under-Plate

Because they exemplified all the traits of the boom in Staffordshire china making typical of 19th century England. Three grandsons of the reputable Meakin china dynasty with the Johnson surname bought a bankrupted tableware pot bank in and went out on their own. That was a brave move. Were the upstarts setting themselves up to fail, or would they rock the oldies with their dynamic success? Meakin’s factory recorded history dates back at least to with James Meakin Snr setting up ownership of the works.

It was originally the brain-child of Meakins the older firm.

A Dutch ironstone pitcher dating from the end of the 19th century and bearing the makers mark, “Societe Ceramique Maastright.” It is in overall very good condition with only minor wear. It .

A high-backed settle — sometimes with storage space beneath the seat or a cupboard in the back — was a familiar sight on either side of the hearth in farmhouse kitchens and inns from the 16th to 19th centuries. A settle table is a wooden settle with a hinged back that folds over to rest on the arms and form a table. Soft-paste porcelain was manufactured exclusively from c until the discovery of local china clay deposits enabled true porcelain to be produced from Louis XV granted the factory a monopoly to produce porcelain in the meissen style, c , and even after this was relaxed, no other French company was allowed to produce porcelain with coloured ground or gilding.

It was not in common use until the mid- 19thC and was made until modern times when periscopic types were used on aircraft. In 16thC sgraffito ware from the Bologna area of Italy, for example, designs were incised in the white slip coating to reveal a red clay ground. The technique has been much used throughout Europe since medieval times, particularly on country pottery from south-west Britain.

It was a feature of Barnstaple pottery throughout the 18th and 19th centuries — and was often inscribed to commemorate special events such as harvests and christenings. Royal Doulton artist Hannah Barlow has become one of the most collectable sgraffito artists. Her studies of typical countryside scenes featuring horses, sheep and cattle on Doulton stoneware are very sought after and can command high prices at local and national auction houses.

Antique Glass and China

Archive items are not for sale and to buy china please visit our Home Page or click on Buy Similar Now. Masons China – items found. Click on the small picture below for a larger photograph. Acropolis mulberry Plate c Beautiful shape of plate with wavy rim and decorated with eastern scene of ruins. There is a little thin glaze to the rim which makes the pattern colour a little paler and a little wear under the rim otherwise excellent condition.

J & G Meakin China and Pottery pattern library. Site 1 HOME. Search this site. Index of Designs A – E Site 1 During WW2 and the immediate post-war period, only plain china was allowed to be produced. White ironstone, brown transferware. Poppies.

Many people love to collect antique glass and china. There are as many ways to collect vintage glass as there are collectors. With the varied colors, styles, and patterns collecting glass is a fascinating hobby. Popular Types of Antique Glass and China No matter what era you are interested in, what your favorite color is, or what china pattern you like there is a type of collectible glass just for you. Carnival Glass is a beautiful, iridescent, pressed glass that was given away as prizes at carnivals.

It must be iridescent to be true Carnival Glass. Depression Glass is the term used for glass plates and other items that were often given away as promotional gifts or sold very cheaply during the depression. It was produced from about to Vaseline Glass, also known as Uranium Glass, is a yellowish green color and glows under a black light. This is due to a small amount of radiation emitted by the glass. There are also collectors of fine china. These people have hearts that beat a little faster when they see a certain Royal Doulton pattern or Victorian china from Bavaria.

Some of the popular manufacturers are:

Royal Ironstone China Johnson Brothers England White Eight pieces

Leuchtenbhurg China Very pretty antique child’s cup with cute graphics of a boy and girl with two animals, a sheep and goose. Marked on underside “Leuchtenburg Germany” with a graphic of a castle turret. From the style and type, we believe this to be an antique piece minimally a vintage child’s cup , likely dating to the early ‘s. This was found out of a home.

The multi-color graphics encircle about half the cup with the remainder left blank.

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Colors are dark blue, light blue, and sage green, with a light blue border at the plate rim. Next we come to the question of who produced them. They usually show up as Marcrest, but Marcrest seems to have been a distribution company at best, and maybe just a brand name of pottery produced by a variety of pottery companies including Hull and Stetson.

One web site goes so far as to say that Marcrest is the oxymoron of pottery and good luck trying to figure out who made what and when was it made! Marcrest dishes were distributed by the Marshall Burns Co. Marshall Burns contracted with many different pottery companies to create pieces that were used as premium items for service stations, grocery stores, and movie theaters in the s. The company was located in Lincoln, IL and was a decorating company, not an actual pottery.

Antique Glass and China

How long did it take those talented artists to draw all these illustrations of coffee and tea sets, napkin rings, cruet sets, figural salt and pepper shakers, calling card trays, water pitchers, punch bowls, mugs, epergnes, sugars and creamers, candelabra, vanity sets, wine coolers, cake baskets, nut bowls, match safes, toothpick holders…and the list goes on and on.

Not to mention the flatware patterns, serving piece variations and boxed sets offered. Following is an example of a beautifully detailed tray. Every illustration in this catalog is just as detailed. Illustration from Meriden Britannia Catalog As I moved into the flatware section toward the end of the catalog, I came across the following page which showed julep strainers and bar spoons: In addition to the bar spoon patterns shown above, Rogers also made them in the Lorne, Persian and Olive patterns in varying sizes.

Mark used today on bone china, developed from mark of In the circled R was added to back stamps to indicate that the name Wedgwood is a registered trade mark. This mark, printed in color, is being used today on Queens Ware, starting in

It was located on South 15th Street in Sebring, Ohio. The original founders were Beatrice L. Habenstreit and John Bert Briggs. Miss Miller and Mr. Habenstreit had been employed at National Publicity Bureau as ‘middlemen’ buying dinnerware from the potteries for resale as advertising premiums for Quaker Oats and Proctor and Gamble in Omaha, Nebraska. Miss Miller went to the bank with the proposal to purchase the building, but was turned away, as a woman in manufacturing was practically unheard of at that time.

Habenstreit went to the same bank with the same proposal and had a warm reception. They hired John ‘Bert’ Briggs who had a knowledge of pottery manufacture and lived in Sebring where he worked as a potter. They offered employment to anyone who was willing to work without pay until their pottery got on its feet. As most of the potters in Sebring were out of work anyway, they had nothing to loose. Six months later, they had people on their payroll. During the first year of operation, Royal China produced 7, , pieces of pottery.

Even though it was the Depression, the company had replaced all of the old kilns with more modern equipment in four years.

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